Oral Lyrics – Björk & Rosalía

Read the lyricsOral Lyrics – Björk & Rosalía. Is Its Classy Lyrics Are Written by Rosalía & Björk Its Official Music Video Has been Released On November 21, 2023. And Present On The YouTube Channel.

The lyrics depict a pictorial disquisition of desire, closeness, and the interplay between imagination and reality. Björk and ROSALÍA convey a dreamlike atmosphere, blurring the lines between the palpable and the abstract. Throughout the song, they navigate themes of query, craving, and the struggle to attune particular boundaries with the hankering for closeness and connection. The lyrics claw into the complications of mortal desire, pressing the pressure between what one can fantasize or imagine and the limitations that help the consummation of those solicitations.

Oral Lyrics – Björk & Rosalía

                             Oral Lyrics – Björk & Rosalía

[Intro]
Your mouth floats above my bed at night
My own private moon

Explanation of Intro
The preamble paints a surreal image of closeness and craving, likening a nut’s presence to a swimming elysian body, expressing a sense of closeness and enchantment in the night. Björk and ROSALÍA elicit a dreamlike atmosphere by describing a mate’s mouth as a particular, ethereal reality, emblematizing closeness and a deep connection.

[Verse 1]
Just because the mind can make up whatever it wants
Doesn’t mean that it’ll never come true
Won’t ever happen (Just because she can)
Please, could I change that?

Explanation of verse1
In this verse, ROSALÍA and Björk explore the power of the mind’s imagination and its implicit to shape reality. They admit that although the mind can conceive anything, it does not guarantee consummation, intimating at the query of dreams turning into reality. ROSALÍA expresses a desire for the capability to alter this outgrowth, hoping to defy the limitations of bare imagination and make her wishes a reality.

[Chorus:]
Is that the right thing to do?
Oh, I just don’t know
I just don’t know
Is that the right thing to do?
Oh, I just don’t know
I just don’t know

Explanation of chorus
In the chorus, Björk and ROSALÍA express query and vacillation about making a decision or taking a particular action. The reiteration of” Is that the right thing to do?” highlights their inner conflict and mistrustfulness, emphasizing their struggle with vacillation and the lack of clarity regarding the stylish course of action. The expression” Oh, I just do not know” underscores their genuine confusion and the difficulty in determining what choice aligns with their values or intentions.

[Verse 2]
Let me introduce one to the other
The dream and the real, get them acquainted
(Just because she can)
Introduce
(Just because she can)
A mouth to a mouth

Explanation of verse2
In this verse, Björk and ROSALÍA suggest incorporating the realms of dreams and reality, prompting for their confluence and familiarity. They express the desire to attune these two aspects of actuality, symbolically uniting the abstract conception of a dream with the palpable nature of reality. The imagery of introducing a mouth to another mouth signifies a emblematic meeting or connection between different confines or realities, representing a union between distant rudiments.

[Chorus]
Is that the right thing to do?
Oh, I just don’t know
I just don’t know
Is that the right thing to do?
Oh, I just don’t know
I just don’t know

Explanation of chorus
In the chorus, Björk and ROSALÍA express query and vacillation about making a decision or taking a particular action. The reiteration of” Is that the right thing to do?” highlights their inner conflict and mistrustfulness, emphasizing their struggle with vacillation and the lack of clarity regarding the stylish course of action. The expression” Oh, I just do not know” underscores their genuine confusion and the difficulty in determining what choice aligns with their values or intentions.

[Bridge]
Can I just sneak up from behind
To the back of his head?
Then I lift up his hair
And nibble ever so lightly
That’s where our hair starts
(Just because she can)
Now please, can I kiss him?
(Just because she can)
Yo quiero besarle
(Just because she can)
Come on, please, can I kiss him?
(Just because she can)
I just don’t know, oh

Explanation of Bridge
In the Bridge, Björk and ROSALÍA express a desire for intimate connection and curiosity about the boundaries between individualities. They contemplate a uncommunicative approach to someone, suggesting a sportful desire to explore closeness by gently nibbling their hair. The reiteration of” Can I kiss him?” reflects their query and craving for authorization to cross into a more intimate space, pressing their internal conflict about whether to act on these solicitations. The use of Spanish(” Yo quiero besarle”) adds a subcaste of emotional depth and urgency to their plea for closeness.

[Outro]
Just because she can (Can)
There’s a line there, I can’t cross it (Oh)
Just because she can
There’s a line there, I can’t cross it (Come)
Just because she can
There’s a line there, I can’t cross it
Just because she can (Oh, it must come)
There’s a line there, I can’t cross it
There’s a line there, I can’t cross it (Just)
There’s a line there, I can’t cross it
There’s a line there, I can’t cross it
There’s a line there, I can’t cross it
There’s a line there, I can’t cross it

Explanation of outro
In the outro, Björk and ROSALÍA contemplate the limits and boundaries that constrain them despite their capabilities or solicitations(” Just because she can”). The repeated chorus” There is a line there, I can not cross it” signifies a recognition of limitations or particular boundaries that help them from freely exploring or acting upon their impulses or capacities. It conveys a sense of frustration or abdication about the actuality of these constraints, suggesting an acceptance of certain limitations despite their capacities.

Overall
The lyrics of the song synopsize a comforting and introspective disquisition of desire, closeness, and the complications of mortal craving. Björk and ROSALÍA intricately weave themes of query, imagination, and the confluence of dreams with reality. They navigate the delicate balance between what one envisions or desires and the constraints that inhibit the fulfillment of those solicitations. The verses consider the coupling of the abstract and the palpable, while the chorus reflects inner conflict and mistrustfulness about making opinions. The ground and outro claw into intimate solicitations and boundaries, expressing curiosity about crossing particular limits.

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