One Night In Bangkok Lyric

Read the LYRICS One Night In Bangkok Lyrics.Is Its Classy Lyrics Are Written By Tim Rice. It Official Music Video Has been Release March 1, 2024 Day And Present On The YouTube Channel And lyrics can be seen above here.

Introducing “One Night in Bangkok” by Murray Head, Crafted with classy lyrics by the talented Tim Rice, it’s said, Released on March 1, 2024, it fills the screen with its charm, Now on YouTube, where its narrative takes form.

[Verse 1]
Bangkok, Oriental setting
The city don’t know what the city is getting
The crème de la crème of the chess world
In a show with everything but Yul Brynner
Time flies, doesn’t seem a minute
Since the Tyrolean Spa had the chess boards in it
All change, don’t you know that when you
Play at this level, there’s no ordinary venue?
It’s Iceland, or the Philippines, or Hastings, or
Or this place

Explanation of Verse 1
The narrator describes Bangkok, an exotic and vibrant city, as an Oriental setting where the city itself is unaware of the excitement it offers. ​ The mention of Yul Brynner alludes to his role in “The King and I,” adding to the exotic imagery.

[Chorus]
One night in Bangkok and the world’s your oyster
The bars are temples, but the pearls ain’t free
You’ll find a god in every golden cloister
And if you’re lucky, then the god’s a she
I can feel an angel sliding up to me

Explanation of Chorus
The chorus describes the allure of Bangkok, with its bars being compared to temples and the suggestion that one can find a deity in every corner.

[Verse 2]
One town’s very like another
When your head’s down over your pieces, brother
It’s a drag, it’s a bore, it’s really such a pity
To be looking at the board, not looking at the city
What do ya mean?
You’ve seen one crowded, polluted, stinking town
Tea girls, warm and sweet (Warm, sweet)
Some are set up in the Somerset Maugham suite
Get Thai’d! You’re talking to a tourist
Whose every move’s among the purest
I get my kicks above the waistline, sunshine
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Explanation of Verse 2
The narrator compares the sameness of cities when one is focused on a task, such as playing chess.  The mention of being “Thai’d” plays on the word “tied” and refers to the experience of being drawn into the city’s allure.

[Chorus]
One night in Bangkok makes the hard man humble
Not much between despair and ecstasy
One night in Bangkok and the tough guys tumble
Can’t be too careful with your company
I can feel the devil walkin’ next to me

Explanation of Chorus
The chorus repeats, emphasizing the transformative and intoxicating nature of one night in Bangkok, where even the toughest individuals can be humbled or affected by their surroundings.

[Verse 3]
Siam’s gonna be the witness
To the ultimate test of cerebral fitness
This grips me more than would a muddy old river
Or reclining Buddha
And thank God I’m only watching the game, controlling it
I don’t see you guys rating the kind of mate I’m contemplating
I’d let you watch, I would invite you
But the queens we use would not excite you
So you’d better go back to your bars
Your temples, your massage parlours

Explanation of Verse 3
The narrator reflects on the intensity of the chess game, suggesting it’s more gripping than even a significant natural or religious symbol like a river or reclining Buddha. He asserts his control over the game and dismisses the interest of others, implying that only true chess aficionados would appreciate the match.

[Chorus]
One night in Bangkok and the world’s your oyster
The bars are temples, but the pearls ain’t free
You’ll find a god in every golden cloister
A little flesh, a little history
I can feel an angel sliding up to me
One night in Bangkok makes the hard man humble
Not much between despair and ecstasy
One night in Bangkok and the tough guys tumble
Can’t be too careful with your company
I can feel the devil walkin’ next to me

Explanation of Chorus
The chorus repeats once more, reinforcing the idea of Bangkok as a place of extremes where one can experience both despair and ecstasy in a single night.
OVERALL
inclusively,” One Night in Bangkok” explores motifs of exoticism, lure, and the clash between the cerebral world of chess and the sensorial load of a bustling burg like Bangkok.

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