Heavy Stunts2 Lyrics By Yeat ft. Don Toliver

Read Heavy Stunts2 Lyrics.Is Its Classy Lyrics Are Written By Yeat ft. Don Toliver Official Music Video Has been Release May 3, 2024 And Pres  On The YouTube Channel And lyrics can be seen above here.

Overwhelming Stunts 2″ could be a collaborative track by Yeat highlighting Wear Toliver, known for their energetic and enthusiastic styles within the domain of rap and hip-hop. Released alongside an official music video on May 3, 2024, the song is highly anticipated by fans eager for another hit from these two artists. With their past victories and unmistakable melodic approaches, the blending guarantees an energizing and locks in tuning in involvement. The verses are anticipated to exhibit their trademark swagger, expressive ability, and captivating conveyance, assist cementing their positions within the modern rap scene.

Heavy Stunts2 Lyrics By Yeat ft. Don Toliver

Heavy Stunts2 Lyrics By Yeat ft. Don Toliver

[Refrain: Yeat]
Uh, uh, uh, hey
Yeah, yeah, hey, yeah (Hold on)
No, you is not mine (Uh, uh, woah, woah)
No, you is not
I’m not the two, I’m not the three

Explanation of Refrain
Yeat starts with a refrain where he emphasizes the rejection of ownership over someone (“you is not mine”) and asserts his individuality by stating he’s not subordinate (“I’m not the two, I’m not the three”).

[Chorus: Yeat]
My b!tch bad (Huh-huh)
My money fat (Huh-huh)
And I won’t talk ’em, I’m going brick, I’m going cray’
B!tch, I’m the one, I’m not the two, I’m not the three
Like to check on the bounce, leaving it, holding it in
How you gone talk to me?
You on the sideline, you is not mine
Yeah, you a dumb lil’ cunt
No, you is not mine
Yeah, you a dirty lil’ b!tch (Ha)
No, you is not fine
I made whole lot motherf**king money, yeah
’cause it’s all mine (Yeah)
I threw whole lot of motherf**king sh!t, yeah
’cause it’s my time
I do a whole lot, whatever I want
Drop his head off, shoot him with gun
I like head, I like the munch
I like the big bag, I like the one (Woah, woah, woah)
You do what I said, you do what I said
You do what I said, yeah
We chop off his head, we chop off his head
We chop, we chop, we chop, we chop
I start a riot in this b!tch (Yeah-yeah)
Yeah, we could slide in this b!tch
And I can slide in that b!tch
1-7-5 in this whip
Yeah, I would never crash out
See, that is difference between you and me
You would pass out

Explanation of Chorus
In the chorus, Yeat boasts about his girlfriend (“my b!tch bad”) and his financial success (“my money fat”). He asserts his dominance and dismisses others who try to speak to him, positioning himself as the primary choice (“I’m the one”). The defamatory dialect utilized towards others shows a sense of prevalence and abhor.

[Verse: Don Toliver & Yeat]
Uh, who that? The boy, that big old zipper (Woo)
Got racks out, it’s busting out my zipper
In a Suburban with a big box, shipped off, it’s gone (Yeah)
Overseas, with a lil’ bad baby, Chanelly and all (Hey, yeah)
She busting down in the strips, it’s reggaeton
Double C, get waiting, I’m out, when she getting it on (Woo)
All these hoes were popping the Molly
Pulled off on a Harley (Err), why these hoes wanna top me
All my fans wanna ground me, tell me how this sounding
We trapping out the Downy, on top of the mountain
My diamonds got from drowning
Ha-ha, this sh!t a big-big business, smoke you down like a cigar

Explanation of Verse
Don Toliver and Yeat continue the theme of opulence and power, boasting about their material possessions and sexual conquests.They depict living luxuriously and reveling in extravagance, with references to architect brands and excessive ways of life. The verse too touches on the thought of being idolized by fans and being sought after by admirers.

[Outro: Yeat]
I start a riot in this b!tch (What?)
Yeah, we can slide in this b!tch
And I can slide in that b!tch
1-7-5 in this whip
Yeah, I would never crash out
See, that is difference between you and me
You would pass out

Explanation of Outro
The outro restates Yeat’s assertiveness and contrasts it with the perceived weakness of others. He suggests that while he remains strong and in control, others would falter under pressure (“you would pass out”).
OVERALL
The verses portray a story of dominance, certainty, and proud self-indulgence. The utilize of disdainful dialect and the accentuation on fabric riches and control pass on a sense of bravado and self-assuredness, with the craftsmen declaring their prevalence over others.