Checkmate Lyrics – Rod Wave

Read the lyrics Checkmate Lyrics – Rod Wave Is Its Classy Lyrics Are Written by Rod Wave. Is Its Official Music Video Has been Released On September 15, 2023. And Present On The YouTube Channel.

The lyric opens with an red-blooded and atmospheric foreword, accenting the autograph output fashions of TnT and Trill. Rod Wave sets the background for an burning travel with a blend of expectancy and comment.The use of “Pipe that shit up” and “Trill got that juice” signals a dynamic and engaging musical experience.

 

Checkmate Lyrics – Rod Wave

Checkmate Lyrics – Rod Wave

[Verse 1: Rod Wave]
Okay, lost in my feelings, running out of love
Sometimes I get in my feelings with codeine in my blood
Most times I be tripping reminiscing ’bout us
Why’d I gotta stand on business? Ten toes no matter what
You know life is like a chess game
Gotta think it through (Yeah-yeah)
Gotta make your next move your best move
And what’s happening Uncle D?
I probably never could repay ya
Helped me chase my dream
Found my dream and went major
Any niggas hate us
Shot my whole truck up
Beef we ain’t squashing
Never getting fucked up
Man, I really fuck with bro
Hope he got the mentions I sent
It’s on the floor, stay out the car with them jits
Rod Wave begins by contending someone, inquiring about their going locality and expressing a drive to speak. The songs hint a byzantine association charged with attachment and ferment. The artist reflects on the demurrals of experiencing a devotion that feels like a conflagration, accenting the cost it has clasped on him. The acknowledgment of thugging and taking a breather hints at a bio tagged by fight. The artist vividly describes belated darks gave recalling, conceding the asperity of unlearning but ditto the inadequacy to abide with or without the person. The source to living on an islet without them adds a feeling of privacy and drive.
[Chorus: Rod Wave]
So many war rooms
So many nights all alone
God blessed the child that could hold his own
And you can wave your white flag all you want (You want)
I want you to know
I’ma pay you back for that one
I’ma pay you back for that one (Yeah, yeah)
I gotta pay you back for that one
I’ma pay you back for that one (That one)
Pay you back for that one (Yeah)
I’ma pay you back for that one
I gotta pay you back for that one (Yeah)
I’ma get you back for that one, uh
The choir brings an blazing climax, with Rod Wave imaging casting a glorious bash. The imagery of people advancing across and no bone leaving straight suggests a feral and indelible affair. The exposure that it existed all for the person he is been managing in the ballad adds drop to the fest, rolling it into a glorious civility of affection and faith.
[Verse 2: Rod Wave]
Okay, now tell me how this bitch found it in her heart to cross me
I had your back since we was little, can’t forget ya or forgive ya
Since we first got out the ghetto
Know we had some stormy weather
But you ain’t make this shit no better
Now it’s up and stuck forever (Forever)
And I’m on that dope so bad right now that I can’t feel a thing
Codeine cups to the brain, smiling through my pain
Like dancing in the rain, yeah
When you smiling through your pain it feel like dancing in the rain
The another lyric delves into Rod Wave’s emotional country, baring that he has breathed hiding under a extended brilliant to ward himself from the humanity. The artist expresses a drive to close out the accidental strains and rewake the honey with the person he loves. The appeal to” light my conflagration afresh” signifies a hankering for recharged affection and relation.
[Chorus: Rod Wave]
So many war rooms
So many nights all alone (Yeah)
God blessed the child that could hold his own
And you can wave your white flag all you want (You want)
I want you to know
I’ma pay you back for that one
(I’ma pay you back for that one)
I’ma pay you back for that one
(I’ma pay you back for that one)
I gotta pay you back for that one
I’ma pay you back for that one
(I’ma get you back for that one, I’ma)
Pay you back for that one (Yeah)
I’ma pay you back for that one (Yeah, yeah)
I gotta pay you back for that one
I’m gone get you back for that one, yeah
The glee club duplications, accenting the denotation of the function as a logo of affection and offering.The repetition of “it was all for you” reinforces the idea that the grand celebration was solely dedicated to the person who holds a special place in Rod Wave’s heart.
Conclusion
” Party of the Century” explores contents of attachment, appetency, and the breadths one is fain to get along to look affection. Rod Wave’s emotive quittance and unfeigned poems fashion this jingle a emotional examination of the convolutions of affiliations. The disagreement between the celebratory air of the affair and the steadying ardent fights creates a satisfying history within the lyric.

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