4×4 – Big Baby Tap English Translate

Read the lyrics 4×4-Big Baby Tap.Is Its Classy Lyrics Are Written by Big Baby Tape.Is Its Official Music Video Has been Released On November 24, 2023. And Present On The YouTube Channel. And lyrics can be seen above here.

Cover art for 4x4 by Big Baby Tape

4×4 – Big Baby Tap

[Intro]
You want me to talk my shit? OK
I see you
Benzo Gang, ho (A)
This is not the Police Wave, ho (To her, to her)
DJ Tape
Heh, Benzo Gang, lil bih

Explanation of Intro
The artist opens by expressing an amenability to assert themselves, conceivably in a confident or boastful manner. They mention the” Benzo Gang,” suggesting cooperation or a group identity. The reference to” Police Wave” indicates a distinction from law enforcement. DJ Tape is conceded, and there is pride associated with being part of the (Benzo Gang).

[Chorus]
My wheels are spinning 4×4, huh (Ha)
They all hate the way I drive my car (Skrrt-skrrt)
I jumped out of the Tahoe, then I got in the Rover (Rovo)
And you can’t see me there, because I’m dully tinted (Bullets)
My body sat down from the subs, the 808s are bumping (Pu-pu-pu!)
Six-liter engine, bumper rides on the floor (Skrrt)
“22” wheels, my rollers, they’re big
They hear me driving, the bass is blasting from the car (Ha)

Explanation of Chorus
The chorus highlights the artist’s pride in their driving chops and the luxury buses they retain. The use of terms like” skrrt- skrrt” and the citation of specific auto models (Tahoe, Rover) convey a sense of fast and opulent living. The tinted windows add an air of riddle and exclusivity, and the important sound system is emphasized.

[Verse 1]
Gucci-shit and Prada-shit, I only wear designer-shit
New shit, “my new check stretched my pockets” -shit
Ladi, baby, dadi, jumped in the Escalade big body (Big body)
The tables are all VIP, we brought guns to the party (Pr-r)
You can’t see me, the caddie is dull tinted (Bullets)
I jumped out of the Tahoe, then I got in the Rover (On the Rover)
There is a refrigerator in the back, there are screens on the seats (A)
My taste is big money and bad mothers (Ooh, ooh)
We drive by and they take photos
Bro, the Bentayga is spinning, fucked up, I don’t need a Toyota (Skrrt-skrrt)
Choppa in the armrest, work in the trunk
If she sits here, she will do something
This is svego-lyrics, yes, this is flexo-lexical
I ride Lexuses, shutout 52-Mexico
I understand that I am hooking you with this
Chicks watch us as we drive, drive, drive

Explanation of Verse 1
The first verse delves into the artist’s fashion choices, limited to high-end brands like Gucci and Prada. There is a citation of fiscal success with a new check stretching their pockets. The Escalade is stressed as a” big body,” and a personality life is portrayed with ordnance brought to parties. The artist continues to emphasize the exclusivity of their life, including tinted windows and luxury features in the buses.

[Chorus]
My wheels are spinning 4×4, huh (Ha)
They all hate the way I drive my car (Skrrt-skrrt)
I jumped out of the Tahoe, then I got in the Rover (Rovo)
And you can’t see me there, because I’m dully tinted (Bullets)
My body sat down from the subs, the 808s are bumping (Pu-pu-pu!)
Six-liter engine, bumper rides on the floor (Skrrt)
“22” wheels, my rollers, they’re big
They hear me driving, the bass is blasting from the car (Ha)

Explanation of Chorus
(Duplication) The chorus is repeated, buttressing the themes of the artist’s love for driving luxury buses with an important presence.

[Verse 2]
I have a sauce, baby, swag for every day of the week
You have a stashhouse, I want to check it out (Okay)
These are my ABCs, I popped about three pieces
I’ll catch up at the party, in the 20s in an SUV
I’m skating and smoking (Liz!), look at us on TV
Half a billion, money spread, these are rubles
They ask for my freestyle, I don’t give it for free
I swear I haven’t worked nine to nine for a day (Ah)
Fresh as shit, lil bro, I’m fresher than a freshman (Ooh, ooh)
This is a heavy swag on me, I wear the latest fashion
I can live a thousand years on my cache
I used to live with my grandma, I don’t believe it now
This is ten badroom mansion, making guap is my passion
If you want something, we’re talking about this action
No, baby, you were in no hurry, you are not special, ho
You’re not the first to see the inside of my car

Explanation of Verse 2
The alternate verse continues to depict the artist’s confidence and swagger. There is a citation of a unique” sauce” and” loot” for every day of the week. References to medicine use, partying in an SUV, and visibility on television suggest a glamorous and high-profile life. The artist claims half a billion in wealth, answering requests for freestyles with a turndown to give them for free. There is also a discrepancy between the current opulent life and a humble history of living with a grandmother.

[Chorus]
My wheels are spinning 4×4, huh (Ha)
They all hate the way I drive my car (Skrrt-skrrt)
I jumped out of the Tahoe, then I got in the Rover (Rovo)
And you can’t see me there, because I’m dully tinted (Bullets)
My body sat down from the subs, the 808s are bumping (Pu-pu-pu!)
Six-liter engine, bumper rides on the floor (Skrrt)
“22” wheels, my rollers, they’re big
They hear me driving, the bass is blasting from the car (Ha)

Explanation of Chorus
(Duplication) The chorus is reiterated, emphasizing the artist’s pride in their driving style and the features of their luxury buses.

[Outro]
Ha
Yeah you know shawty we’re talking about this shit
Big Benzo in this bitch, eh
T.W.O., bih’ (Ha-ha)
Ah, I dedicate this shit to those who make shit, ha ha ha
You know what I’m saying, ho (Pow)

Explanation of Outro
The outro expresses the artist’s confidence and fidelity to their success. Shoutouts are given to” Big Benzo” and T.W.O. conceivably collaborators or associates. The fidelity of the song to those who” make shit” suggests a festivity of success and achievement.

Overall
The lyrics paint a picture of a flamboyant and successful existent who ploys in their opulent life, from fashion and buses to a debonair station. The reiteration of themes in the chorus and the outro reinforces the pride and festivity of the depicted