Not My Fault Lyrics – Reneé Rapp ft. Megan Thee Stallion

[Intro]
You know what?
It’s not my fault
You’re like in love with me or something!

Explanation of intro
The preface sets the tone for the song, with the speaker addressing someone who seems to be infatuated with them, and they assert that it’s not their fault.

[Chorus]
It’s not my fault
You came with her but she might leave with me
It’s not my fault
You’ve gotta pay for what I get for free
It’s not my fault
You’re like, you’re like, you’re like in love with me
It’s not my fault you’re like in love with me
You’re like in love with me

Explanation of Chorus
The chorus emphasizes that the situation isn’t the speaker’s fault. It suggests a romantic or kittenish hassle where the person in question may have come with someone differently but might leave with the speaker. The speaker also mentions that the person will have to pay for commodity that the speaker gets for free, intimating at a complex dynamic.

[Verse 1]
Where she at? (Where she at?)
What she doing? (What she doing?)
Who she with and where’s she from? (Oh)
Oh, she’s this (Shе’s this), oh, she’s that (She’s that)
She’s a flight risk on thе run, okay
She’s bad (She’s bad), she’s back (She’s back?)
Yeah, I’m back, b!tch, are you done? (Huh)
Excuse me while I bite my tongue (Woo)

Explanation of Verse 1
In the first verse, the speaker asks about the whereabouts and conduct of a woman who seems to be a” flight threat on the run.” The speaker seems confident, asserting their own rates and asking if the other person is done. There is a sense of sportful arrogance.

[Pre-Chorus]
I’m back on that same sh!t from before
I can’t take this pettiness, now I’m bored, uh-huh
We can champagne, there’s enough for us all
Told you who I am and what it is, that’s not my fault

Explanation of Pre-Chorus
The pre-chorus addresses about the speaker being back to their former geste and expressing tedium with insignificancy. They mention having enough champagne for everyone and state their identity without feeling responsible for others’ responses.

[Chorus]
It’s not my fault
You came with her but she might leave with me
It’s not my fault
You’ve gotta pay for what I get for free
It’s not my fault
You’re like, you’re like, you’re like in love with me
It’s not my fault you’re like in love with me
You’re like in love with me

Explanation of Chorus
The chorus emphasizes that the situation isn’t the speaker’s fault. It suggests a romantic or kittenish hassle where the person in question may have come with someone differently but might leave with the speaker. The speaker also mentions that the person will have to pay for commodity that the speaker gets for free, intimating at a complex dynamic.

[Verse 2]
Get her number, get her name
Get a good thing while you can
Kiss a blonde (Kiss a blonde), kiss a friend (Okay)
Can a gay girl get an, “Amen?” (Amen; woo)

Explanation of Verse 2
The alternate verse suggests the speaker’s pursuit of colorful gests , encouraging others to seize openings. There is a citation of kissing a golden and kissing a friend, followed by a sportful question about whether a gay girl can get an” Amen.”

[Pre-Chorus]
I’m back on that same sh!t from before
I can’t take this pettiness, now I’m bored, uh-huh
We can champagne, there’s enough for us all (Us all)
Told you who I am and what it is, that’s not my fault

Explanation of Pre-Chorus
The pre-chorus addresses about the speaker being back to their former geste and expressing tedium with insignificancy. They mention having enough champagne for everyone and state their identity without feeling responsible for others’ responses.

[Chorus]
It’s not my fault
You came with her but she might leave with me
It’s not my fault
You’ve gotta pay for what I get for free
It’s not my fault
You’re like, you’re like, you’re like in love with me
It’s not my fault you’re like in love with me
You’re like in love with me (Hmm)

Explanation of Chorus
The chorus emphasizes that the situation isn’t the speaker’s fault. It suggests a romantic or kittenish hassle where the person in question may have come with someone differently but might leave with the speaker. The speaker also mentions that the person will have to pay for commodity that the speaker gets for free, intimating at a complex dynamic.

[Verse 3]
I mean, who wouldn’t wanna be in love with me? (Love with me)
I’m a mood, boring whores gotta Pinterest me
I’m a stallion but they come and f**k me like Trojan (Ah)
And it wouldn’t be me if I ain’t cause commotion (Baow)
B!tch so bad, dudes thought I was A.I., balling like A.I. ah
Stick to the motherf**king money like a stapler, stack like Jenga
Any pu**y b!tch get stroke like a painter
It’s funny how the mean girl open all the doors (All the doors)
But I been told y’all, I’m the black Regina George (Baow)
Bikini top, booty shorts, Megan-core
You was hating back then, now you finna hate more
I the influence, they do anything I endorse
I run sh!t, to be a bad b!tch is a sport (Baow)

Explanation of Verse 3
In the third verse, the speaker expresses confidence and tone- sureness. They claim to be a desirable figure, describing themselves as a mood and asserting that others should be in love with them. The lyrics also touch on themes of fame, influence, and the speaker’s impact on others.

[Bridge]
‘Cause I woke up hotter than I was yesterday
Don’t care about no rules ’cause I always get my way

Explanation of Bridge
The ground addresses about waking up hotter than the former day, disregarding rules, and always getting their way. This reinforces the speaker’s confidence and determination.

[Chorus]
It’s not my fault
You came with her but she might leave with me (Baow)
It’s not my fault
You’ve gotta pay for what I get for free
It’s not my fault
You’re like, you’re like, you’re like in love with me
It’s not my fault you’re like in love with me
You’re like in love with me (Baow, baow, baow)

Explanation of Chorus
The chorus emphasizes that the situation isn’t the speaker’s fault. It suggests a romantic or kittenish hassle where the person in question may have come with someone differently but might leave with the speaker. The speaker also mentions that the person will have to pay for commodity that the speaker gets for free, intimating at a complex dynamic.

[Outro]
I woke up hotter than I was yesterday, baow (Woo-oh-oh)
Don’t care about no rules ’cause I always get my way (Hmm, hmm)
I woke up hotter than I was yesterday, ah
It’s not my fault you’re like in love with me
You’re like in love with me

Explanation of Outro
The outro echoes the theme of waking up hotter than the former day and not minding about rules. It reiterates that it’s not the speaker’s fault that the other person is in love with them.