Read the lyrics Lovin On Me Lyrics – Jack Harlow. Is Its Classy Lyrics Are Written by Jack Harlow, OZ, Nik D, Sean Momberger, Nickie Jon Pabón, Delbert M Greer & Reginald Nelton. Is Its Official Music Video Has been Released On November 10, 2023. And Present On The YouTube Channel.
The lyrics in focus are from a song where Jack Harlow showcases his sportful and confident persona regarding connections and relations. Through facetious wordplay and humor, he expresses a preference for straightforward connections while dismissing misconceptions about himself. He humorously narrates romantic hassles, references colorful personas, and encourages womanish suckers to enjoy themselves at a musicale.
Lovin On Me Lyrics – Jack Harlow
[Pre-Chorus]
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
Whip your loving on me, baby
Explanation of pre chorus
In thispre-chorus from the song, the artist Jack Harlow expresses a objectiveness in controlling or restrictive rudiments represented by” lashes and chains,” suggesting that he does not want to be tied down or constrained in a relationship. still, he welcomes and encourages affection and passion(” scourge your loving on me, baby”), inferring a desire for love and closeness without the limitations or constraints that may come with traditional commitments or prospects.
[Chorus]
I’m vanilla, baby
(I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, telling me I’m still a baby
(But you can whip your loving on me, baby)
I get love in Detroit like Skilla Baby
(Whip your loving on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
That’s right, that’s right
Whip your loving on me, baby
Explanation of chorus
In the chorus, Jack Harlow directly refers to himself as” vanilla,” signifying a preference for a straightforward relationship without extreme rudiments like” lashes and chains.” He humorously mentions being willing to engage in certain intimate acts(” I will choke you, but I ain’t no killer, baby”) and playfully commentary on someone aged considering him youthful(” She twenty- eight, telling me I am still a baby”). Overall, he reiterates his desire for passion and affection(” Whip your loving on me, baby”), emphasizing his openness to love without restrictive attachments.
[Verse 1]
Young J-A-C-K, AKA Rico like Suave, Young Enrique
Speaking of AKA, she’s an alpha
But not around your boy
She get quiet ’round your boy, hold on (Shh)
Don’t know what you heard or what you thought about your boy
But they lied about your boy
Going dumb and it’s something idiotic about your boy
She wearing cheetah print
That’s how bad she wanna bе spotted ’round your boy
Explanation of verse
In this verse, Jack Harlow introduces himself with colorful aliases, likening himself to Rico Suave and representing an nascence lady but noting her different geste around him. He dismisses false comprehensions or rumors about himself, inferring misinformation. likewise, he humorously comments on a woman’s vesture, suggesting her desire to be noticed or seen in his presence due to her wearing cheetah print, emblematizing her appetite to catch attention when around him.
[Pre-Chorus]
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
Whip your loving on me, baby
Explanation of pre chorus
In thispre-chorus from the song, the artist Jack Harlow expresses a objectiveness in controlling or restrictive rudiments represented by” lashes and chains,” suggesting that he does not want to be tied down or constrained in a relationship. still, he welcomes and encourages affection and passion(” scourge your loving on me, baby”), inferring a desire for love and closeness without the limitations or constraints that may come with traditional commitments or prospects.
[Chorus]
I’m vanilla, baby
(I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, telling me I’m still a baby
(But you can whip your loving on me, baby)
I get love in Detroit like Skilla Baby
(Whip your loving on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
That’s right, that’s right
Whip your loving on me, baby
Explanation of chorus
In the chorus, Jack Harlow directly refers to himself as” vanilla,” signifying a preference for a straightforward relationship without extreme rudiments like” lashes and chains.” He humorously mentions being willing to engage in certain intimate acts(” I will choke you, but I ain’t no killer, baby”) and playfully commentary on someone aged considering him youthful(” She twenty- eight, telling me I am still a baby”). Overall, he reiterates his desire for passion and affection(” Whip your loving on me, baby”), emphasizing his openness to love without restrictive attachments.
[Verse 2]
Young M-I-S-S-I-O-N-A-R-Y
You sharp like barbed wire
She stole my heart, then she got archived
I keep it short with a bitch, Lord Farquaad
All the girls in the front row (Ayy)
All the girls at the barricade (Ayy)
All the girls that been waiting all day
Let your tongue hang out, fuck everything (Ayy)
If you came with a man (Yeah, yeah)
Let go of his hand (Let go of that shit)
Everybody in the suite, kicking up they feet
Stand up, bitch, dance (I see you)
Explanation of verse 2
In this verse, Jack Harlow cleverly spells out” missionary” while likening someone’s sharpness to acerbic line, conceivably describing their wit or address. He directly mentions someone taking his heart but also being archived, inferring they are no longer in his life. He humorously references keeping relations brief with a woman, likening it to Lord Farquaad’s short elevation from” Shrek.” Towards the end, he encourages womanish suckers at a musicale to enjoy themselves, prompting them to let loose and have fun, indeed suggesting they let go of any coexisting men and dance freely.
[Pre-Chorus]
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
Whip your loving on me, baby
Explanation of pre chorus
In thispre-chorus from the song, the artist Jack Harlow expresses a objectiveness in controlling or restrictive rudiments represented by” lashes and chains,” suggesting that he does not want to be tied down or constrained in a relationship. still, he welcomes and encourages affection and passion(” scourge your loving on me, baby”), inferring a desire for love and closeness without the limitations or constraints that may come with traditional commitments or prospects.
[Chorus]
I’m vanilla, baby
(I don’t like no whips and chains and you can’t tie me down)
I’ll choke you, but I ain’t no killer, baby
She twenty-eight, telling me I’m still a baby
(But you can whip your loving on me, baby)
I get love in Detroit like Skilla Baby
(Whip your loving on me, baby)
And the thing about your boy is
I don’t like no whips and chains and you can’t tie me down
But you can whip your loving on me, baby
That’s right, that’s right
Whip your loving on me, baby
Explanation of chorus
In the chorus, Jack Harlow directly refers to himself as” vanilla,” signifying a preference for a straightforward relationship without extreme rudiments like” lashes and chains.” He humorously mentions being willing to engage in certain intimate acts(” I will choke you, but I ain’t no killer, baby”) and playfully commentary on someone aged considering him youthful(” She twenty- eight, telling me I am still a baby”). Overall, he reiterates his desire for passion and affection(” Whip your loving on me, baby”), emphasizing his openness to love without restrictive attachments.
Overall
The lyrics depict Jack Harlow’s sportful and confident station towards connections and relations. He humorously references colorful aliases, dismisses rumors about himself, and describes a woman’s appetite to be noticed around him. Throughout the song, he asserts his preference for uncomplicated connections, humorously mentions romantic gests , and encourages womanish suckers to have a great time at a musicale, all delivered with wit and charm. The lyrics blend humor, wordplay, and fierceness while emphasizing his desire for affection without commitment or constraints.