Read the lyrics Now Anime Libere Lyrics – Tedua & Rkomi Is Its Classy Lyrics Are Written By Tedua, Bresh, Rkomi, Dibla, Shune, Sick Luke & Valerio Bulla Is Its Official Music Video Has been Released On June 2, 2023 And Present On The YouTube Channel. And lyrics can be seen above here.
In these lyrics, Tedua, Rkomi, and Bresh explore themes of emotional complexity, soul-searching, and moments of disorientation. The verses navigate through query in connections, remembrances of once gests , and the transformative power set up within participated connections. The song presents a mix of soul-searching, craving, and acknowledgments of particular growth amidst nebulosity.
Anime Libere Lyrics – Tedua & Rkomi
[Intro]
(Uoh)
(Ehi, è già l’alba)
(Yah, ah, come vola il tempo quando ci si diverte)
Explanation of this intro
In this brief preface, Tedua reflects on the passage of time, remarking on how fleetly it flies by when one is having fun(” come vola il tempo quando ci si diverte” how time flies when we are having fun). The citation of dawn implies a new morning or the launch of commodity, setting the tone for reflection and expectation. The exclamation captures a sense of surprise and the consummation of time passing snappily.
[verse 1]
Giorno appresso al tempo, scogli di cemento
Nella città ad agosto senza mare (Uh)
Rolli, ma c’è vento, i fuochi a Cogoleto
Rendono un ricordo da conservare (Flash)
In balia delle onde più alte rimarrò
Se poi mi risponderai con un però (Ah-ah)
Devi darmi un sì o un no
Ehi, dimmi chi sei, sono le sei sopra il display
Fanno i cortei, farlo con lei, come vorrei (Vorrei)
Però è tardi, dagli sguardi vedo che ti annoi
Noi corsari coi diamanti, lo so che ci vuoi
Sfrontati nei confronti della vita (Ahah)
Non incontrarci per la via
Explanation of verse
In this verse, Tedua paints a picture of civic geographies devoid of the typical summer deepwater atmosphere. He references specific locales like Cogoleto, associating recollections with fireworks. Tedua desires plumpness in relations, prompting for clarity in responses. He expresses a wishful desire for a certain connection or experience but senses objectiveness. Despite this, there is a boldness and contrariness in his approach to life, admitting the appeal of their unconventional life.
[chorus]
Mi vuoi bene oppure male, non lo so
Mi fai bene oppure male, non lo so
Puoi far finta di ignorarmi
Tanto lo so che mi vuoi bene
Explanation of chorus
In this chorus, Tedua expresses query about the nature of someone’s passions towards him. He questions whether their conduct or intentions are positive or negative. Despite their attempts to ignore or disregard him, he confidently asserts his knowledge that they watch about him, anyhow of the nebulosity girding their passions or actions.
[verse 2]
Correvo sanguinante da una rissa in piazza
Pensavamo in grande per non ritornare a casa
Eri la mia ora d’aria-aria, ma quale ora d’aria-aria?
Facciamo scherma con la lingua ancora persi in una rotatoria
Acido che c’è, corrode le sue labbra tinte in viola
Io non mi sento famoso
Più di quanto sia il tuo volto nella mia testa, hai presente
Ed un giorno so che sarai mia
Lo saprà il pubblico prima dei miei parenti, Rkomi
Explanation of verse 2
In this verse, Rkomi reminisces about a time running wounded from a fight, emblematizing a desire to escape mundane life. He references someone who was a breath of fresh air but questions the significance of that connection. Rkomi describes a relationship tainted by medicine use, admitting that despite feeling unknown, the person’s image remains prominent in his mind. He hints at a future where their relationship might come public before his family knows, expressing a blend of craving and query.
[chorus]
Mi vuoi bene oppure male, non lo so
Mi fai bene oppure male, non lo so
Puoi far finta di ignorarmi
Tanto lo so che mi vuoi bene
Explanation of chorus
In this chorus, Tedua expresses query about the nature of someone’s passions towards him. He questions whether their conduct or intentions are positive or negative. Despite their attempts to ignore or disregard him, he confidently asserts his knowledge that they watch about him, anyhow of the nebulosity girding their passions or actions.
[verse 3]
Mi prende il panico
Perché non trovo più dove abito
Sono ubriaco, ritorno fradicio
Guardo le stelle, sono lunatico
Siamo le solite anime libere
Usiamo il nostro vocabolario
Un brutto posto diventa magico
Spariamo al mostro dentro l’armadio e tu, tu
Explanation of verse 3
In this verse, Bresh expresses fear as he struggles to find his way back home while enraptured. Despite this disorientation, he embraces a capricious perspective, esteeming the stars and admitting their free-spirited nature. Bresh highlights the transformative power of their participated gests , turning a bleak situation into commodity alluring. He directly confronts inner demons, likening it to shooting the monster inside the closet, conceivably pertaining to facing particular fears.
[chorus]
Mi vuoi bene oppure male, non lo so
Mi fai bene oppure male, non lo so
Puoi far finta di ignorarmi
Tanto lo so che mi vuoi bene
Explanation of chorus
In this chorus, Tedua expresses query about the nature of someone’s passions towards him. He questions whether their conduct or intentions are positive or negative. Despite their attempts to ignore or disregard him, he confidently asserts his knowledge that they watch about him, anyhow of the nebulosity girding their passions or actions.
[Outro]
Sick Luke, Sick Luk
Explanation of outro
In this outro, Tedua gives a shoutout to Sick Luke, presumably a patron or collaborator on the track, admitting his donation or involvement. The reiteration of Sick Luke’s name serves as a recognition or appreciation of the artist’s part in the song’s creation or product.
Overall
The lyrics present a mix of soul-searching, query in connections, and a sense of performance. Tedua, Rkomi, and Bresh claw into themes of emotional nebulosity, reminiscence about once gests , and moments of disorientation. The verses paint a picture of inner fermentation, craving, and the transformative power set up within participated connections and capers, climaxing in acknowledgments of particular growth and creative collaboration.